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My work is influenced by
the concept of semiotics. Semiotics is the science of signs. Language, whether
verbal or visual, is part of semiotics. I think a language goes beyond grammar
and vocabulary. The signs we use to communicate often contain multiple meanings
depending on factors such as context, experience, and the audience receiving the
signs. I am interested in exploring a visual language of signs in my work.
The images chosen for my work are highly symbolic and allegorical. The meaning
behind each piece is completely dependent on the viewer’s perspective. The piece
can be enjoyed purely on a visual basis or become deeply meaningful.
There are several artists who influence my work. The idea of juxtaposing
seemingly unrelated images is an answer to David Salle. Chuck Close and Philip
Pearlstein have influenced my figurative work. Caravaggio’s lighting finesse
also is a great inspiration to me. The art nouveau movement inspires me and the
fluidity of Alphonse Mucha's work is genius. I thoroughly enjoy painting realistically
with watercolor, and the exploration of myself and my spirituality has provided
an interesting myriad of ideas for my work.
My art work is a combination of storytelling and spirituality. So each image
moves beyond the beauty of the lines, forms, and colors to speak it's own visual
language. Each series I do may have a slightly different style, but the
continuity of the symbolism gives unity to my body of work.
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Revised: 03/24/08